Eagle Hand 老鷹之手

101 mins | 2021 | 賴麗君 Li-Chun Lai

The film “Eagle Hand” tells a story about a farming village in Chia-yi, Taiwan that specializes in lotus roots. During the glory days of exporting to Japan and Hong Kong over 40 years ago, there were over 10 million square feet of farmland and over 100 farmers. Nowadays, with modernization and development, only 4 million square feet of farmland and 27 farmers remain in lotus root farming. Instead of risking damage to the delicate lotus roots with metal farming tools, the farmers have to manually dig for the roots buried over a foot deep in the mud with their bare hands. Over decades of hard work, the farmers’ fingers are often deformed with enlarged and bent knuckles, and thus nicknamed “Eagle Hand”. Nowadays, these “Eagle Hands” are a symbol of perseverance and long-lost cultural values.  The director presented the scenery and population development of her hometown through her own eyes. Following the perspective of the director, the audience witnesses a story of the  younger generation leaving the farm villages for a brighter future in the city while some arrive and rediscover their merit and motivation in the field.

那雙老鷹手原本在天上飛,他們這雙老鷹手卻往土裡鑽 ! 

嘉義牛斗山村早年盛產蓮藕,八零年代曾是全國最大宗,當時更大量銷售到日本和香港,隨著時代變遷逐年沒落,蓮藕的榮景卻只停格在過去,如今牛斗山村的種植人口僅剩二十七戶。老農無法割捨大半輩子賴以維生的傳產,堅持用老邁的身軀守護田園,長年挖蓮藕變形的「老鷹手」是他們辛勤的歷史印記。

當農村青年大量北漂,一些非農二代年輕人卻選擇留下,從零開始學習種蓮藕,從夕陽產業拚出一條生路,即使經歷幻滅又重生的輪迴;抑或面對傳統產業的困境,依舊不認輸地用一雙「老鷹手」,挖出被歷史遺忘的價值和夢想。 

Reminiscing the summer time in Taiwanese countryside, what comes first to mind? Is it a cup of iced lotus root tea or chilled lotus root slices as snacks? Perhaps it is the lotus leaves swaying in the wind or the muddy lotus root field? “Eagle Hand” documented the beautiful lotus root field and the daily lives of their farmers. Following the development of the economy, aging population in the farm villages and the loss of youth workforce to the city, the lotus root farming industry is facing a major decline. Our motherland has provided for us and our prosperity. If our community and nature are ever at risk, we will mend and care for every crack with the light we weld together. 

想起夏日的台灣,會想起什麼?是午後一杯阿嬤煮的冰涼的蓮藕茶,或是餐桌上清涼爽口的蓮藕切片?亦或是農田裡隨風搖曳的蓮葉、佈滿泥巴的蓮藕田?

「老鷹之手」記錄了蓮藕農家日常,以及因為農村人口老化與農作人力流失,蓮藕產業的興衰。波士頓影展想藉由這部紀錄片,帶領大家回到記憶中那片土地,一起來關心蓮藕種植聚落裡的故事。感謝台灣這片土地長期以來無私的給予與孕育,當泥土乾涸、龜裂時,也讓我們用一顆充滿覺察的心,讓光滋潤填補每一畝需要我們關注的裂縫。

Director 賴麗君 Li-Chun Lai

The Taipei-based nomad from the village of Niutoushan, Chiayi, cares for the contemporary issues of the changing countryside and new immigrants. To quench her two-decade-long homesickness, Lai returned home to film “The Immortal’s Play” with Peng Jia-Ru and received a Golden Harvest Award. In 2017, she continued with the second piece of her Chiayi trilogy, “Eagle Hand”, hoping to complete the series before her age does not allow her to.

漂泊於台北的遊牧民族,但總自稱是嘉義牛斗山田庄囝仔,關注近代農村變遷和臺灣女性新住民生存實況。2002年製作關於臺灣九二一大地震《山腳下的四庄番》紀錄片,入選南方影展觀摩。二十年鄉愁召喚,2013年返鄉和彭家如合作執導嘉義首部曲—《神戲》紀錄片,獲得金穗獎、台灣國際女性影展獎、廈門雙棲青年映畫季最佳紀錄長片。2017接續拍攝嘉義第二部曲—《老鷹之手》,獲得2021坎城世界影展最佳紀錄片,希望在老去之前完成嘉義三部曲。